Fan mail address
Fred Williamson
2672 S. Calle Palo Fierro
Palm Springs, CA 92264-9416
USA
Address information
(Home Address)
2672 S. Calle Palo Fierro
Palm Springs, CA 92264-9416
USA
Fred Williamson is an American actor, director, producer, and former professional football player, widely celebrated for his roles in action and blaxploitation films of the 1970s and his significant contributions to African-American cinema. Born on March 5, 1938, in Gary, Indiana, Williamson initially gained fame as a talented football player. Nicknamed “The Hammer” for his hard-hitting style, he played college football at Northwestern University and then professionally in the NFL for the Pittsburgh Steelers, Oakland Raiders, and Kansas City Chiefs. His athletic prowess, combined with his confidence and style, helped him transition seamlessly into a career in Hollywood.
Williamson’s acting breakthrough came after his football career when he starred in action-packed films showcasing his strength, charisma, and martial arts skills. He became a prominent figure in the blaxploitation genre, a film movement that emerged in the 1970s, focused on African-American narratives and featuring strong, self-reliant protagonists. His roles in films such as Black Caesar (1973), Hell Up in Harlem (1973), and Three the Hard Way (1974) made him an icon in the genre, often portraying tough, no-nonsense characters who challenged authority and stood up for justice.
Beyond acting, Williamson also took on roles as a producer, director, and writer, further establishing his influence in the film industry. He formed his own production company, Po’ Boy Productions, which allowed him creative control and the freedom to make films that catered to African-American audiences. His directorial debut, Mean Johnny Barrows (1975), was one of the first of many films he would produce and direct over his long career. His independent approach and dedication to making films that defied stereotypes and empowered African-American characters helped set a precedent for future generations of filmmakers.
